Currently the senior designer at T: the New York Times Style Magazine and a visiting lecturer at MassArt, Amy Fang creates design work situated in the worlds of fine arts, music, and fashion.
JUN 2023
A monthly magazine publication of the New York Times newspaper, T Magazine is dedicated to fashion, art, beauty, travel and design coverage. Read more ︎︎︎
Editorial, Fashion
(Client Work)
Persimmons is an interactive book translating a poem into art through linguistic analysis and code. Words taken from each passage of Li-Young Lee’s poem, “Persimmons”, are run through Processing; the reader’s interaction with the book transforms the text’s phonetic structures into generated patterns. Read more ︎︎︎ 
Print, P5.JS
An experimental publication (160 pages, 5” X 7.5”) which explores the border as a divisive line from the dual perspectives of humans and machines. As images of different locations become distilled into a singular gestural stroke, losing specificity and familiarity, the book is a speculative archive as well as a challenge to the arbitrariness in which we lay claim to our borders. Read more ︎︎︎
Print, AI
Exhibition graphics and online degree show displaying work by CalArt’s 2021 graduated MFA cohort in Art, Photography & Media, and Art & Technology. The design of the digital site, which acts as documentation of the physical show held at Tin Flats, Los Angeles, draws upon the colon as a visual and linguistic signifier of connection, and of expansion. Read more ︎︎︎
Web Design, Web Development
(Client Work)
Designed with FISK under the creative direction of Bijan Berahimi, the vinyl record label for Future Classic’s DJ Tools Volume One breaks down the album’s title into abstract compositions reflective of the electronic music genre.
Vinyl Design
(Client Work)
Type Unseen (76 pages, 5” X 9”) is a reader on illegible graphic design and visual nonsense; it analyzes the influence our youth culture has had on experimental typography, all the while exploring the multitude of philosophies that drive us to construct and deconstruct meaning. Read more ︎︎︎
Editorial, Research
GRAPHITE is an interdisciplinary arts journal supported by the Hammer Museum. Each issue, published annually, is centered around a theme or proposal that responds to contemporary events and ideas, the twelfth issue (300 copies, 188 pages, 6” X 9”) focusing on the concept of attention. Read more ︎︎︎
Editorial, Fine Arts
(Client Work)

BUCK x Living Room

Living Room was designed as a high-end space in Los Angeles, with luxury recording studios, libraries, and lounges, to become the premium, global destination of music exploration and art discovery. Working along with BUCK’s team (CD: Camille Chu, AD: Emily Simms, Sr Designer: Abbie Winters), I helped build off of an existing logotype to develop an extensive brand system, guidelines, and member’s book showcasing the classic elegance of Living Room.
Brand Guidelines, Editorial
(Client Work)
A redesign of FLAT Journal’s website, a digital platform for critical texts and contemporary experiments within media arts. Inspired by the history of skeuomorphism in early computer graphics, the website creates a new representation of editorial layouts for the browser. Different sections layer over each other on the landing page, creating a flat landscape of pages which are shuffled through to be read. Read more ︎︎︎
Web, Publishing (Client Work)