T Magazine - Editorial Design
2021–Present
2021–Present
A monthly print publication of the New York Times newspaper, T is dedicated to fashion, art, travel and design coverage.
2022
Custom invitations and menus designed for Hermès’ dinner celebrating their creative director, Nadège Vanhee-Cybulski.
_~-_=~*
2024
2024
A performative drawing made with Gabriella Baez. Charcoal, graphite, and steel (dimensions variable).
2021
GRAPHITE is an interdisciplinary arts journal supported by the Hammer Museum, dedicated to producing critical and creative projects in an integrated physical and digital space. Each issue is centered around a theme that responds to contemporary events and ideas, the twelfth issue (300 copies, 188 pages, 6” X 9”) focusing on the concept of attention.
Flat Journal
2019–2021
2019–2021
FLAT is a platform for theoretical and critical texts, interviews, reviews, projects, and experiments that engage with contemporary conversations surrounding emerging media in the arts.
T Magazine - Editorial Design
2021–Present
2021–Present
A monthly print publication of the New York Times newspaper, T is dedicated to fashion, art, travel and design coverage.
2022
Custom invitations and menus designed for Hermès’ dinner celebrating their creative director, Nadège Vanhee-Cybulski.
_~-_=~*
2024
2024
A performative drawing made with Gabriella Baez. Charcoal, graphite, and steel (dimensions variable).
2021
GRAPHITE is an interdisciplinary arts journal supported by the Hammer Museum, dedicated to producing critical and creative projects in an integrated physical and digital space. Each issue is centered around a theme that responds to contemporary events and ideas, the twelfth issue (300 copies, 188 pages, 6” X 9”) focusing on the concept of attention.
Flat Journal
2019–2021
2019–2021
FLAT is a platform for theoretical and critical texts, interviews, reviews, projects, and experiments that engage with contemporary conversations surrounding emerging media in the arts.
T Magazine - Editorial Design
2021–Present
2021–Present
A monthly print publication of the New York Times newspaper, T is dedicated to fashion, art, travel and design coverage.
2022
Custom invitations and menus designed for Hermès’ dinner celebrating their creative director, Nadège Vanhee-Cybulski.
_~-_=~*
2024
2024
A performative drawing made with Gabriella Baez. Charcoal, graphite, and steel (dimensions variable).
2021
GRAPHITE is an interdisciplinary arts journal supported by the Hammer Museum, dedicated to producing critical and creative projects in an integrated physical and digital space. Each issue is centered around a theme that responds to contemporary events and ideas, the twelfth issue (300 copies, 188 pages, 6” X 9”) focusing on the concept of attention.
Flat Journal
2019–2021
2019–2021
FLAT is a platform for theoretical and critical texts, interviews, reviews, projects, and experiments that engage with contemporary conversations surrounding emerging media in the arts.
T Magazine - Editorial Design
2021–Present
2021–Present
A monthly print publication of the New York Times newspaper, T is dedicated to fashion, art, travel and design coverage.
2022
Custom invitations and menus designed for Hermès’ dinner celebrating their creative director, Nadège Vanhee-Cybulski.
_~-_=~*
2024
2024
A performative drawing made with Gabriella Baez. Charcoal, graphite, and steel (dimensions variable).
2021
GRAPHITE is an interdisciplinary arts journal supported by the Hammer Museum, dedicated to producing critical and creative projects in an integrated physical and digital space. Each issue is centered around a theme that responds to contemporary events and ideas, the twelfth issue (300 copies, 188 pages, 6” X 9”) focusing on the concept of attention.
Flat Journal
2019–2021
2019–2021
FLAT is a platform for theoretical and critical texts, interviews, reviews, projects, and experiments that engage with contemporary conversations surrounding emerging media in the arts.
T Magazine - Editorial Design
2021–Present
2021–Present
A monthly print publication of the New York Times newspaper, T is dedicated to fashion, art, travel and design coverage.
2022
Custom invitations and menus designed for Hermès’ dinner celebrating their creative director, Nadège Vanhee-Cybulski.
_~-_=~*
2024
2024
A performative drawing made with Gabriella Baez. Charcoal, graphite, and steel (dimensions variable).
2021
GRAPHITE is an interdisciplinary arts journal supported by the Hammer Museum, dedicated to producing critical and creative projects in an integrated physical and digital space. Each issue is centered around a theme that responds to contemporary events and ideas, the twelfth issue (300 copies, 188 pages, 6” X 9”) focusing on the concept of attention.
Flat Journal
2019–2021
2019–2021
FLAT is a platform for theoretical and critical texts, interviews, reviews, projects, and experiments that engage with contemporary conversations surrounding emerging media in the arts.
AMY FANG is an artist and designer currently making books, exhibition identities, drawings, and works of text-based ephemera. Previously the senior designer at T: the New York Times Style Magazine, her past collaborators also include Hermès, the Swiss Institute, Calvin Klein, and the Hammer Museum.
For more info, click here.
T Magazine - Editorial Design
2021–Present
2021–Present
A monthly print publication of the New York Times newspaper, T is dedicated to fashion, art, travel and design coverage.
Feedback Loop
2024
2024
Exhibition graphics, poster and pamphlets for the 2024 Yale First-Year MFA Exhibition (designed in collaboration with Camille Gwise).
Surrogate
2022–2024
2022–2024
An artist book for Lauren Lee McCarthy documenting her Surrogacy series, a body of work centered around issues of reproductive technology and bodily autonomy.
2022
Custom invitations and menus designed for Hermès’ dinner celebrating their creative director, Nadège Vanhee-Cybulski.
2021
GRAPHITE is an interdisciplinary arts journal supported by the Hammer Museum, dedicated to producing critical and creative projects in an integrated physical and digital space. Each issue is centered around a theme that responds to contemporary events and ideas, the twelfth issue (300 copies, 188 pages, 6” X 9”) focusing on the concept of attention.
Surrogate
2022–2024
2022–2024
An artist book for Lauren Lee McCarthy documenting her Surrogacy series, a body of work centered around issues of reproductive technology and bodily autonomy.
Cover photo: Betty Wang guest lecturing for Core 2: Interaction studio (Parsons Spring '24).
Type Unseen
2020
2020
Type Unseen (76 pages, 5” X 9”) is a reader on illegible graphic design and visual nonsense; it analyzes the influence our youth culture has had on experimental typography, all the while exploring the multitude of philosophies that drive us to construct and deconstruct meaning.
RE:CONNECTIONS
2021
2021
Exhibition graphics and online degree show displaying work by CalArt’s 2021 graduated MFA cohort in Art, Photography & Media, and Art & Technology.
Feedback Loop
2024
2024
Exhibition graphics, poster and pamphlets for the 2024 Yale First-Year MFA Exhibition (designed in collaboration with Camille Gwise).
2021
Designed with FISK under the creative direction of Bijan Berahimi, the vinyl record label for Future Classic’s DJ Tools Volume One breaks down the album’s title into abstract compositions.
Surrogate
2022–2024
2022–2024
An artist book for Lauren Lee McCarthy documenting her Surrogacy series, a body of work centered around issues of reproductive technology and bodily autonomy.
Cover photo: Betty Wang guest lecturing for Core 2: Interaction studio (Parsons Spring '24).
Type Unseen
2020
2020
Type Unseen (76 pages, 5” X 9”) is a reader on illegible graphic design and visual nonsense; it analyzes the influence our youth culture has had on experimental typography, all the while exploring the multitude of philosophies that drive us to construct and deconstruct meaning.
RE:CONNECTIONS
2021
2021
Exhibition graphics and online degree show displaying work by CalArt’s 2021 graduated MFA cohort in Art, Photography & Media, and Art & Technology.
Feedback Loop
2024
2024
Exhibition graphics, poster and pamphlets for the 2024 Yale First-Year MFA Exhibition (designed in collaboration with Camille Gwise).
2021
Designed with FISK under the creative direction of Bijan Berahimi, the vinyl record label for Future Classic’s DJ Tools Volume One breaks down the album’s title into abstract compositions.
Surrogate
2022–2024
2022–2024
An artist book for Lauren Lee McCarthy documenting her Surrogacy series, a body of work centered around issues of reproductive technology and bodily autonomy.
Cover photo: Betty Wang guest lecturing for Core 2: Interaction studio (Parsons Spring '24).
Type Unseen
2020
2020
Type Unseen (76 pages, 5” X 9”) is a reader on illegible graphic design and visual nonsense; it analyzes the influence our youth culture has had on experimental typography, all the while exploring the multitude of philosophies that drive us to construct and deconstruct meaning.
RE:CONNECTIONS
2021
2021
Exhibition graphics and online degree show displaying work by CalArt’s 2021 graduated MFA cohort in Art, Photography & Media, and Art & Technology.
Feedback Loop
2024
2024
Exhibition graphics, poster and pamphlets for the 2024 Yale First-Year MFA Exhibition (designed in collaboration with Camille Gwise).
2021
Designed with FISK under the creative direction of Bijan Berahimi, the vinyl record label for Future Classic’s DJ Tools Volume One breaks down the album’s title into abstract compositions.
Surrogate
2022–2024
2022–2024
An artist book for Lauren Lee McCarthy documenting her Surrogacy series, a body of work centered around issues of reproductive technology and bodily autonomy.
Cover photo: Betty Wang guest lecturing for Core 2: Interaction studio (Parsons Spring '24).
Type Unseen
2020
2020
Type Unseen (76 pages, 5” X 9”) is a reader on illegible graphic design and visual nonsense; it analyzes the influence our youth culture has had on experimental typography, all the while exploring the multitude of philosophies that drive us to construct and deconstruct meaning.
RE:CONNECTIONS
2021
2021
Exhibition graphics and online degree show displaying work by CalArt’s 2021 graduated MFA cohort in Art, Photography & Media, and Art & Technology.
Feedback Loop
2024
2024
Exhibition graphics, poster and pamphlets for the 2024 Yale First-Year MFA Exhibition (designed in collaboration with Camille Gwise).
2021
Designed with FISK under the creative direction of Bijan Berahimi, the vinyl record label for Future Classic’s DJ Tools Volume One breaks down the album’s title into abstract compositions.
Surrogate
2022–2024
2022–2024
An artist book for Lauren Lee McCarthy documenting her Surrogacy series, a body of work centered around issues of reproductive technology and bodily autonomy.
Cover photo: Betty Wang guest lecturing for Core 2: Interaction studio (Parsons Spring '24).
Type Unseen
2020
2020
Type Unseen (76 pages, 5” X 9”) is a reader on illegible graphic design and visual nonsense; it analyzes the influence our youth culture has had on experimental typography, all the while exploring the multitude of philosophies that drive us to construct and deconstruct meaning.
RE:CONNECTIONS
2021
2021
Exhibition graphics and online degree show displaying work by CalArt’s 2021 graduated MFA cohort in Art, Photography & Media, and Art & Technology.
Feedback Loop
2024
2024
Exhibition graphics, poster and pamphlets for the 2024 Yale First-Year MFA Exhibition (designed in collaboration with Camille Gwise).
2021
Designed with FISK under the creative direction of Bijan Berahimi, the vinyl record label for Future Classic’s DJ Tools Volume One breaks down the album’s title into abstract compositions.