T Magazine - Editorial Design
2021–Present
2021–Present
A monthly print publication of the New York Times newspaper, T is dedicated to fashion, art, travel and design coverage.
Persimmons
2019
2019
An interactive book translating a poem into generated art through linguistic analysis and code.
2022
Custom invitations and menus designed for Hermès’ dinner celebrating their creative director, Nadège Vanhee-Cybulski.
2021
GRAPHITE is an interdisciplinary arts journal supported by the Hammer Museum, dedicated to producing critical and creative projects in an integrated physical and digital space. Each issue is centered around a theme that responds to contemporary events and ideas, the twelfth issue (300 copies, 188 pages, 6” X 9”) focusing on the concept of attention.
2023
A digital diptych formed through two companion sites exploring cursor movements as gestural performances, as tools for expressive mark making, as proxies for human longing.
T Magazine - Editorial Design
2021–Present
2021–Present
A monthly print publication of the New York Times newspaper, T is dedicated to fashion, art, travel and design coverage.
Persimmons
2019
2019
An interactive book translating a poem into generated art through linguistic analysis and code.
2022
Custom invitations and menus designed for Hermès’ dinner celebrating their creative director, Nadège Vanhee-Cybulski.
2021
GRAPHITE is an interdisciplinary arts journal supported by the Hammer Museum, dedicated to producing critical and creative projects in an integrated physical and digital space. Each issue is centered around a theme that responds to contemporary events and ideas, the twelfth issue (300 copies, 188 pages, 6” X 9”) focusing on the concept of attention.
2023
A digital diptych formed through two companion sites exploring cursor movements as gestural performances, as tools for expressive mark making, as proxies for human longing.
T Magazine - Editorial Design
2021–Present
2021–Present
A monthly print publication of the New York Times newspaper, T is dedicated to fashion, art, travel and design coverage.
Persimmons
2019
2019
An interactive book translating a poem into generated art through linguistic analysis and code.
2022
Custom invitations and menus designed for Hermès’ dinner celebrating their creative director, Nadège Vanhee-Cybulski.
2021
GRAPHITE is an interdisciplinary arts journal supported by the Hammer Museum, dedicated to producing critical and creative projects in an integrated physical and digital space. Each issue is centered around a theme that responds to contemporary events and ideas, the twelfth issue (300 copies, 188 pages, 6” X 9”) focusing on the concept of attention.
2023
A digital diptych formed through two companion sites exploring cursor movements as gestural performances, as tools for expressive mark making, as proxies for human longing.
T Magazine - Editorial Design
2021–Present
2021–Present
A monthly print publication of the New York Times newspaper, T is dedicated to fashion, art, travel and design coverage.
Persimmons
2019
2019
An interactive book translating a poem into generated art through linguistic analysis and code.
2022
Custom invitations and menus designed for Hermès’ dinner celebrating their creative director, Nadège Vanhee-Cybulski.
2021
GRAPHITE is an interdisciplinary arts journal supported by the Hammer Museum, dedicated to producing critical and creative projects in an integrated physical and digital space. Each issue is centered around a theme that responds to contemporary events and ideas, the twelfth issue (300 copies, 188 pages, 6” X 9”) focusing on the concept of attention.
2023
A digital diptych formed through two companion sites exploring cursor movements as gestural performances, as tools for expressive mark making, as proxies for human longing.
T Magazine - Editorial Design
2021–Present
2021–Present
A monthly print publication of the New York Times newspaper, T is dedicated to fashion, art, travel and design coverage.
Persimmons
2019
2019
An interactive book translating a poem into generated art through linguistic analysis and code.
2022
Custom invitations and menus designed for Hermès’ dinner celebrating their creative director, Nadège Vanhee-Cybulski.
2021
GRAPHITE is an interdisciplinary arts journal supported by the Hammer Museum, dedicated to producing critical and creative projects in an integrated physical and digital space. Each issue is centered around a theme that responds to contemporary events and ideas, the twelfth issue (300 copies, 188 pages, 6” X 9”) focusing on the concept of attention.
2023
A digital diptych formed through two companion sites exploring cursor movements as gestural performances, as tools for expressive mark making, as proxies for human longing.
RE:CONNECTIONS
RE:CONNECTIONS
Exhibition graphics and online degree show displaying work by CalArt’s 2021 graduated MFA cohort in Art, Photography & Media, and Art & Technology.
The site design and exhibition is particularly inspired by the colon within the title, a punctuation mark which often appends elements of language—either changing meanings entirely or amplifying the original meaning. Designed with ambiguity in mind, the typography of the landing page expands and contracts, cycling through legibility and illegibility. The index of works acts also as a navigatory tool, with each number revealing a corresponding image upon hover and representing its own unique artist.
2023
A commission by CK to reimagine their classic logo with the theme “euphoria”, used as part of the design system for their SS2024 campaign.
Surrogate
2022–Present
2022–Present
An artist book for Lauren Lee McCarthy documenting her Surrogacy series, a body of work centered around issues of reproductive technology and bodily autonomy.
T Magazine - Editorial Design
2021–Present
2021–Present
A monthly print publication of the New York Times newspaper, T is dedicated to fashion, art, travel and design coverage.
Persimmons
2019
2019
An interactive book translating a poem into generated art through linguistic analysis and code.
2021
Designed with FISK under the creative direction of Bijan Berahimi, the vinyl record label for Future Classic’s DJ Tools Volume One breaks down the album’s title into abstract compositions.
2021
GRAPHITE is an interdisciplinary arts journal supported by the Hammer Museum, dedicated to producing critical and creative projects in an integrated physical and digital space. Each issue is centered around a theme that responds to contemporary events and ideas, the twelfth issue (300 copies, 188 pages, 6” X 9”) focusing on the concept of attention.
Type Unseen
2020
2020
Type Unseen (76 pages, 5” X 9”) is a reader on illegible graphic design and visual nonsense; it analyzes the influence our youth culture has had on experimental typography, all the while exploring the multitude of philosophies that drive us to construct and deconstruct meaning.
RE:CONNECTIONS
2021
2021
Exhibition graphics and online degree show displaying work by CalArt’s 2021 graduated MFA cohort in Art, Photography & Media, and Art & Technology.
2023
The digital covers of T Magazine are animated versions of the print editions — bringing the designs to life through a combination of kinetic typography, moving image, and video.
2021
Designed with FISK under the creative direction of Bijan Berahimi, the vinyl record label for Future Classic’s DJ Tools Volume One breaks down the album’s title into abstract compositions.
Surrogate
2022–Present
2022–Present
An artist book for Lauren Lee McCarthy documenting her Surrogacy series, a body of work centered around issues of reproductive technology and bodily autonomy.
Cover photo: Betty Wang guest lecturing for Core 2: Interaction studio (Parsons Spring '24).
Type Unseen
2020
2020
Type Unseen (76 pages, 5” X 9”) is a reader on illegible graphic design and visual nonsense; it analyzes the influence our youth culture has had on experimental typography, all the while exploring the multitude of philosophies that drive us to construct and deconstruct meaning.
RE:CONNECTIONS
2021
2021
Exhibition graphics and online degree show displaying work by CalArt’s 2021 graduated MFA cohort in Art, Photography & Media, and Art & Technology.
2023
The digital covers of T Magazine are animated versions of the print editions — bringing the designs to life through a combination of kinetic typography, moving image, and video.
2021
Designed with FISK under the creative direction of Bijan Berahimi, the vinyl record label for Future Classic’s DJ Tools Volume One breaks down the album’s title into abstract compositions.
Surrogate
2022–Present
2022–Present
An artist book for Lauren Lee McCarthy documenting her Surrogacy series, a body of work centered around issues of reproductive technology and bodily autonomy.
Cover photo: Betty Wang guest lecturing for Core 2: Interaction studio (Parsons Spring '24).
Type Unseen
2020
2020
Type Unseen (76 pages, 5” X 9”) is a reader on illegible graphic design and visual nonsense; it analyzes the influence our youth culture has had on experimental typography, all the while exploring the multitude of philosophies that drive us to construct and deconstruct meaning.
RE:CONNECTIONS
2021
2021
Exhibition graphics and online degree show displaying work by CalArt’s 2021 graduated MFA cohort in Art, Photography & Media, and Art & Technology.
2023
The digital covers of T Magazine are animated versions of the print editions — bringing the designs to life through a combination of kinetic typography, moving image, and video.
2021
Designed with FISK under the creative direction of Bijan Berahimi, the vinyl record label for Future Classic’s DJ Tools Volume One breaks down the album’s title into abstract compositions.
Surrogate
2022–Present
2022–Present
An artist book for Lauren Lee McCarthy documenting her Surrogacy series, a body of work centered around issues of reproductive technology and bodily autonomy.
Cover photo: Betty Wang guest lecturing for Core 2: Interaction studio (Parsons Spring '24).
Type Unseen
2020
2020
Type Unseen (76 pages, 5” X 9”) is a reader on illegible graphic design and visual nonsense; it analyzes the influence our youth culture has had on experimental typography, all the while exploring the multitude of philosophies that drive us to construct and deconstruct meaning.
RE:CONNECTIONS
2021
2021
Exhibition graphics and online degree show displaying work by CalArt’s 2021 graduated MFA cohort in Art, Photography & Media, and Art & Technology.
2023
The digital covers of T Magazine are animated versions of the print editions — bringing the designs to life through a combination of kinetic typography, moving image, and video.
2021
Designed with FISK under the creative direction of Bijan Berahimi, the vinyl record label for Future Classic’s DJ Tools Volume One breaks down the album’s title into abstract compositions.
Surrogate
2022–Present
2022–Present
An artist book for Lauren Lee McCarthy documenting her Surrogacy series, a body of work centered around issues of reproductive technology and bodily autonomy.
Cover photo: Betty Wang guest lecturing for Core 2: Interaction studio (Parsons Spring '24).
Type Unseen
2020
2020
Type Unseen (76 pages, 5” X 9”) is a reader on illegible graphic design and visual nonsense; it analyzes the influence our youth culture has had on experimental typography, all the while exploring the multitude of philosophies that drive us to construct and deconstruct meaning.
RE:CONNECTIONS
2021
2021
Exhibition graphics and online degree show displaying work by CalArt’s 2021 graduated MFA cohort in Art, Photography & Media, and Art & Technology.
2023
The digital covers of T Magazine are animated versions of the print editions — bringing the designs to life through a combination of kinetic typography, moving image, and video.
2021
Designed with FISK under the creative direction of Bijan Berahimi, the vinyl record label for Future Classic’s DJ Tools Volume One breaks down the album’s title into abstract compositions.
Surrogate
2022–Present
2022–Present
An artist book for Lauren Lee McCarthy documenting her Surrogacy series, a body of work centered around issues of reproductive technology and bodily autonomy.
Cover photo: Betty Wang guest lecturing for Core 2: Interaction studio (Parsons Spring '24).